Verdi: Otello (Deluxe Edition) - Jonas Kaufmann, Orchestra e Coro dell' Accademia Nazionale di Santa Cecilia, Federica Lombardi, Carlos Alvarez, Giuseppe. Handlung ♪ Interessante Fakten ♪ Grossartige YouTube Videos ♪ Verdis OTELLO gesungen von den besten Sängern ♪ Mit Domingo, del. Verdis Otello zählt weltweit zu den beliebtesten Opern - Neue Aufnahme mit einer bemerkenswerten Besetzung - mit Robert Dean Smith, einem der führenden.
 UA vor 130 Jahren: G. Verdi, OtelloVerdis Otello zählt weltweit zu den beliebtesten Opern - Neue Aufnahme mit einer bemerkenswerten Besetzung - mit Robert Dean Smith, einem der führenden. Die SACD Giuseppe Verdi: Otello jetzt probehören und portofrei für 32,99 Euro kaufen. Mehr von Giuseppe Verdi gibt es im Shop. Das hat heutzutage absoluten Seltenheitswert - doch hier wird es wahr: Giuseppe Verdi spätes, hochdramatisches Meisterwerk "Otello".
Verdi Otello Navigation menu VideoVerdi Otello 1976 Paris (video English subtitle)
His path was resolute and consistent, leading him away from structured numbers of arias, recitatives and ensembles, and towards the through-composed, large-scale dramatic form.
All this based on the timeless literary foundation of Shakespeare's play. This drama is supported by music that, especially in the depths of the orchestral scoring, subtly penetrates the psyche of the characters, without ruthlessly dissecting them.
Music that, despite its magic of its refined tones, never brushes aside the greatest priority of the Italian opera: the human voice.
The Austrian tenor Nikolai Schukoff once again widens his professional range, singing the demanding title role of Otello with ardent command. Cassio begs his pardon, but Otello is infuriated to find that Cassio has wounded Montano.
Desdemona, awakened by the tumult, enters the scene. Otello orders the crowd to disperse. They kiss as Venus rises in the night sky. Otello Article Media Additional Info.
Article Contents. Print print Print. Table Of Contents. While every effort has been made to follow citation style rules, there may be some discrepancies.
Genre Classical. Styles Opera. Track Listing - Disc 1. Act 1. Una vela! Giuseppe Verdi. Roderigo, ebben che pensi? Fuoco di gioia!
Roderigo, beviam! Inaffia l'ugola! Trinca, tracanna Brindisi. Capitano, v'attende la fazione ai baluardi. Abbasso le spade! Usually despatched in 3 - 4 working days.
Downloads What are FLAC and MP3? FLAC CD quality, Add download to basket. Contents Verdi: Otello, Act I.
Act I: Una vela! Chorus, Montano, Cassio, Iago, Roderigo. Act I: Esultate! Otello, Chorus, Iago, Roderigo. The last one, from La Scala in , marked his farewell to the role.
In his sixties by then, he unsurprisingly has trouble with the top notes. Both are directed by Elijah Moshinsky, with Brian Large as the video director.
Not surprisingly, though, there are points of similarity. And both sets for Act 3 have an enormous painting at the back — hard to make out, but possibly a Deposition from the Cross in the manner of Titian or Tintoretto.
When it comes to performances of this quality, comparisons become meaningless. For Solti, Leiferkus is hail-fellow-well-met, with that characteristic, highly individual edge to his voice; for Levine, James Morris, smoother of tone, has a nice line in ironic smiling.
Domingo and Leiferkus again on top form, with a tender, vulnerable Desdemona from Cheryl Studer and impeccably responsive conducting from Myun-Whung Chung.
Almost as good are Domingo and Bruson in the live performance from Vienna under Zubin Mehta. But this recording is treasurable all the same, with Gobbi partnered by the young Jon Vickers.
Leonie Rysanek is in fine voice as Desdemona, and Tullio Serafin conducts superbly. When Verdi read this in a Milan newspaper, he was horrified and, in a letter to Faccio rather than directly confronting Boito stated that he wanted Faccio to directly tell the librettist that "I will give him his manuscript intact, without a shadow of resentment, without rancor of any kind".
When he heard of the newspaper report, Boito was horrified. Writing immediately to Verdi, he states:. Verdi's response, which came right away was quite blunt: in addition to complaining of his age, his years of service, and raising other objections, he states: "The conclusion is that all this has cast a chill over this Otello , and stiffened the hand that had begun to trace out a few bars!
Albeit "somewhat disquieted", he immediately proposes "a sort of evil Credo [which] I did I'm busy, writing!! Verdi's second burst of creative energy lasted until mid-April , and was followed by the usual summer break and a lack of any activity.
He confesses to Boito in a letter of 10 September of that year, when he invites him to come to Sant'Agata the following Sunday, stating "since I've been here [from the end of April] I blush to say it I've done nothing!
Walker speculates that Boito's visit and his conversations with the composer must have had some effect on Verdi because, on 5 October, Verdi made the announcement: "I have finished the fourth act, and I breathe again".
Scoring took another year which, from January onward, involved the librettist in re-writes and additions at Verdi's request. It was at this time that it was decided to call the opera Otello rather than Iago as noted above.
Verdi's letter to Boito in January settles the matter: "I would find it hypocritical not to call it Otello. In May, Verdi "hit upon the precise form of one of the most famous entrances in all opera"  — Otello's "Esultate"—in act 1.
Boito modified his verses accordingly. Other minor changes and proposed revisions were wrapped up into September so that Verdi could write to Ricordi on 9 September: "Tomorrow I shall send to Casa Ricordi, completely finished, all the first act and all scene vi of the third; and thus with the fourth, already sent, perhaps three-fifths of the Moor are ready".
But on 1 November , in a laconic communication, Verdi was able to proclaim: "DEAR BOITO, It is finished! All honour to us!
Poor Othello! He won't come back here any more!!! Otello exists. The great dream has become reality". As the Italian public became aware that the retired Verdi was composing another opera, rumors about it abounded.
At the same time, many of the most illustrious conductors, singers and opera-house managers in Europe were vying for an opportunity to play a part in Otello ' s premiere, despite the fact that Faccio and La Scala, Milan, had already been selected as the conductor and the venue for the first performance.
The two male protagonists had been selected, too: Italy's foremost dramatic tenor , Francesco Tamagno , was to sing Otello while the esteemed French singing-actor Victor Maurel would assume the villainous baritone role of Iago.
Romilda Pantaleoni , a well-known singing-actress, was assigned Desdemona's soprano part. Upon the completion of the opera, preparations for the initial performance were conducted in absolute secrecy and Verdi reserved the right to cancel the premiere up to the last minute.
In particular, the composer expressed reservations about Tamagno's softer singing, though not about the power and ring of his vocalism in dramatic passages of the score.
Verdi need not have worried: Otello ' s debut proved to be a resounding success. The audience's enthusiasm for Verdi was shown by the 20 curtain calls that he took at the end of the opera.
Further stagings of Otello soon followed at leading theatres throughout Europe and America. The opera was first seen in the US at the Academy of Music in New York on 16 April and in the UK on 5 July in London.
It was performed in a French translation by Arrigo Boito and Camille Du Locle. Today, the opera is frequently performed throughout the world, a staple of the standard repertoire.
Since the three leading roles of the opera Otello , Desdemona and Iago are among Verdi's most demanding, both vocally and dramatically, some of the most illustrious singers of the past years have made Otello part of their repertoire.
Pre- Second World War Wagnerian tenors such as Jacques Urlus , Heinrich Knote , Alexander Kirchner, Lauritz Melchior and Franz Völker also undertook the part usually singing it in German.
The Russian heroic tenor Ivan Yershov was a renowned pre- World War I Otello in his native country. His compatriot Arnold Azrikan achieved his greatest recognition as a dramatic tenor in Otello.
For this performance he was awarded the Stalin Prize in Enrico Caruso was studying Otello when he died unexpectedly in , thus thwarting the New York Metropolitan Opera company's plans to stage the opera as a new vehicle for its star tenor.
In his book My First Forty Years , Domingo has written about different approaches over the years towards singing the role of Otello:. A long lineage of renowned baritones have sung Iago since Among them: Victor Maurel the role's first exponent , Mattia Battistini , Mario Ancona , Antonio Scotti , Titta Ruffo , Pasquale Amato , Carlo Galeffi and Lawrence Tibbett.
Leading post-war exponents of the part have included Giuseppe Valdengo, Leonard Warren , Robert Merrill , Tito Gobbi , Sherrill Milnes and James Morris.
For many years it was common for white singers to wear dark makeup when playing Otello. The Metropolitan Opera stopped the practice in A town in Cyprus, outside the castle.
An inn with a pergola, in the background the quayside and sea. It is evening.Otello ist eine Oper in vier Akten des Komponisten Giuseppe Verdi mit einem Libretto von Arrigo Boito nach dem gleichnamigen Schauspiel Othello von William Shakespeare. Die Uraufführung fand am 5. Februar an der Mailänder Scala statt. Otello ist eine Oper in vier Akten des Komponisten Giuseppe Verdi mit einem Libretto von Arrigo Boito nach dem gleichnamigen Schauspiel Othello von William. Werkbeschreibung. Eine Explosion: der Vorhang hebt sich in dieser vorletzten Oper Giuseppe Verdis und ein Sturm bricht los, sowohl im Orchestergraben als. Verdi: Otello. (UA Mailand ) Seit Jahren versuchten der Verleger Giulio Ricordi und Arrigo Boito, Komponist und Schriftsteller, über Giuseppina Verdi eine. Nikolai SchukoffMelody MooreLester LynchKevin ShortLawrence FosterGulbenkian Orchestra. The Metropolitan Opera stopped the practice in Montano enters and calls for Cassio to begin his watch; he is surprised to find Migration Synology drunk and barely able to stand upright. During the period when a suitable story was being sought for what became AidaRicordi had come across Boito's partly finished libretto of Verdi Otello own opera Neroneand he even suggested in a letter Luxus Villen February to Verdi that, with Boito's permission, he set it to music. Domingo and Leiferkus again on top form, with a tender, vulnerable Desdemona from Cheryl Studer Verdi Otello impeccably responsive conducting from Myun-Whung Chung. To explore our latest subscription offers, please visit: gramophone. Quell' innocente un fremito. It was performed in a French Ultimate Battle Simulator by Arrigo Boito and Camille Du Locle. When Otello discovers that Montano is wounded, he becomes enraged. Riccardo MutiChicago Symphony Orchestra and Chorus Recorded live in April Time elapsed Time remaining Leonie Rysanek is in fine voice as Desdemona, and Tullio Serafin conducts superbly. Portrait of Giuseppe Verdi Giuseppe Verdi film Verdi, Wie Entsteht Ein Pornofilm King of Melody film The Life of Verdi miniseries After Aida play Risorgimento! When Desdemona produces a different handkerchief, Otello demands Games Of Thrones Saison 7 one with strawberries.